Four Men, Stunning c. 1930s American Regionalism Ink Drawing, F. Robinson funky teapot Part of what I love

Part of what I love here is that its maker painted individual falling snowflakes

young woman with beach ball on the other--but it's the erotic nudes on the interior that really make it

(Also seems there might be a metaphor about transitions to womanhood going on here

dates to the 1840s or so

At the tip are two interlocking pieces which move to and fro

Four Men, Stunning c. 1930s American Regionalism Ink Drawing, F. Robinson funky teapot Part of what I loveI extricated this gorgeously executed drawing, rendered in a combination of black and sepia toned ink on heavy weight paper, from its original mat, to which it was adhered with rubber cement, visible now around the edges of the paper. That mat (which I've saved) was signed F. Robinson which has lead me nowhere, but clearly he, or she, was quite an accomplished artist. Four marvelously distinctive portraits packed into one dense and dynamically